Look at the scenery

Text/small picture/network

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Look at the scenery

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Climb up in a hurry

What the hell are you chasing?

Sweat all the way

Sprinkle backwards

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Standing on the top of the mountain

Extremely comfortable

Is this the taste of success?

Maybe, maybe, maybe.

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Infinite space

Infinitely broad-minded

Everything in the world is in the heart.

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Finally understand

Life is about climbing high.

See all the scenery in the world

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Yi Dian Hao Xiao Wei

Find a reporter, ask for a report, ask for help, download the "Qilu Yidian" APP or search the WeChat applet "Yidian Information Station" in major application markets, and more than 600 mainstream media reporters in the province are waiting for you to report online!

How to release the potential of tourism consumption and promote the high-quality development of tourism？ Do these five aspects well →

On September 27th, 2023, the General Office of the State Council issued Several Measures on Releasing the Potential of Tourism Consumption to Promote the High-quality Development of Tourism (Guo Ban Fa [2023] No.36, hereinafter referred to as "Several Measures"). In order to promote the in-depth implementation of the "Several Measures" in the cultural and tourism system, the Ministry of Culture and Tourism issued a notice today requesting the cultural and tourism departments (bureaus) of all provinces, autonomous regions and municipalities directly under the Central Government to produce them in Xinjiang.

First, fully understand the great significance of implementing the "Several Measures"

Local cultural and tourism administrative departments should fully understand the great significance of implementing the "Several Measures" from a strategic and overall perspective, deeply analyze the new situation of tourism development, grasp the characteristics and laws of tourism development, accurately understand the scientific connotation of high-quality tourism development, clarify the goals and tasks of promoting high-quality tourism development in various places, enhance their sense of responsibility and urgency, and effectively unify their thoughts and actions with the deployment requirements of the CPC Central Committee and the State Council.

Two, do a good job in the study and publicity of "several measures"

The provincial administrative departments of culture and tourism should, in conjunction with relevant departments and in combination with the actual situation of local tourism development, study and sort out the key tasks that meet the development requirements of Several Measures, timely summarize the typical experiences and practices of releasing tourism consumption potential and promoting the high-quality development of tourism in the region, increase publicity and promotion, stimulate and guide more social forces to participate in the innovative practice of tourism development, and create a good social atmosphere for the high-quality development of tourism. At the same time, it is necessary to sort out the policies and measures that do not meet the requirements of high-quality development of tourism in accordance with the "Several Measures" and correct or adjust them in time.

Three, study and formulate the implementation plan of "several measures"

The provincial administrative departments of culture and tourism should, in combination with the actual situation, take the initiative to connect with the relevant tourism-related departments in light of the "Several Measures" and the "Task Division Plan of the Ministry of Culture and Tourism on Releasing Tourism Consumption Potential to Promote High-quality Development of Tourism" (copied to the provincial administrative departments of culture and tourism), and study and refine the work measures to release tourism consumption potential and develop tourism with high quality in combination with the actual situation in the region, so as to form the work of the provincial administrative departments of culture and tourism to implement the "Several Measures".

Fourth, strengthen coordination and linkage, and focus on solving difficult and blocking problems.

All localities should take the implementation of the "Several Measures" as an opportunity, focus on solving the difficult problems that have long restricted the high-quality development of tourism, and promote and improve the inter-departmental coordination mechanism of tourism work in the region. For policy initiatives involving multi-sectoral functions, such as actively developing eco-tourism products, optimizing tourism infrastructure, revitalizing idle tourism projects, adjusting and optimizing scenic spot management, strengthening inbound tourism, supporting the development of tourism enterprises, broadening financing channels, and strengthening land use security, we should strengthen communication and coordination with relevant departments, take the initiative, actively coordinate relevant departments to solve difficult and blocked problems in the process of policy implementation, and get through the "last mile" of policy implementation.

Fifth, strengthen organization and implementation, and accelerate the implementation of policies.

All localities should put the release of tourism consumption potential and the promotion of high-quality development of tourism in an important position at present, seize opportunities, do practical work, strengthen reform and innovation, guide tourism market players to adapt to changes in market demand, and accelerate the transformation of policy dividends into development effectiveness. Local cultural and tourism administrative departments should, under the leadership of local party committees and governments, jointly with relevant departments, pay close attention to the introduction of special supporting policies and measures to implement the "Several Measures" in the region, smooth the channels for policy implementation, and ensure that all the support measures of the "Several Measures" are fully effective. The Ministry of Culture and Tourism will strengthen the tracking and evaluation of the implementation of local policies, and timely summarize and popularize excellent experiences and practices. The implementation and effectiveness of relevant policies will be regarded as the key evaluation content of praise and encouragement for tourism work in various places.

(CCTV reporter Zheng Wei)

Source: CCTV news client

In 1917, Professor Peking University invented the Chinese character ＂She＂, which was scolded by China women for three years and was afraid to go to the streets.

The rise of the New Culture Movement in 1915 gave birth to many well-known literary revolutionaries, such as Lu Xun, Chen Duxiu, Li Dazhao, Qian Xuantong, Liu Bannong and Hu Shi. They were born in the historical period of alternating times and made many achievements for the establishment of our country’s ideological culture.

But one of them, also a professor at Peking University, was scolded for inventing a Chinese character for three years, during which he didn’t even dare to go out on the street openly.This professor is called Liu Bannong.

Liu Bannong was born in Jiangyin, Jiangsu Province, in 1891, into a farming family for generations. Since childhood, he has learned and been exposed to the "primary school" knowledge learned by traditional China literati. This "primary school"refers toThe phonology, writing and exegesis of ancient Chinese philology today..

Statue of Liu Bannong

Although Liu Bannong is naughty, he often has some fantastic ideas and delves into crooked ways, but he is an out-and-out "scholar". At the age of six, he was able to combine poems with others. At the age of 20, he was hired by his alma mater to teach and compiled Jiangyin Magazine.

After the Revolution of 1911, western thoughts and cultures poured into the conservative land of China, and Liu Bannong was deeply impressed by the surging tide.After two years of self-study in foreign languages, I got the position of compiling foreign works in Zhonghua Book Company. More than 40 foreign novels translated by him were published in the famous publications of the time, Fiction Circle and Current Affairs News.

Liu Bannong’s translation works are not limited to English, but also the works of Tolstoy and Turgenev in Russia, so he became a famous translator.In 1917, Liu Bannong, who followed the trend of the New Culture Movement, published an article "My View of Literature Improvement" in New Youth, and was hired as a Chinese professor in the preparatory course by Cai Yuanpei, president of Peking University..

At that time, all of them were professors of literature, history and philosophy at Peking University, such as Xu Beihong, Liang Shuming, Hu Shi and Liu Wendian. Although they are all in their early twenties, they all graduated from famous universities at home and abroad, and only Liu Bannong is a young man who has only attended high school.

Liu Bannong

Liu Bannong’s academic attainments are not limited by academic qualifications. His literary and linguistic innovations under the banner of the New Culture Movement not only shocked the cultural circles at that time, but we are still enjoying his cultural achievements a hundred years later.

In the TV series The Awakeing Age, students from Peking University directed and performed a drama.Wang Jingxuan, an old pedant and an old fogey played by Liu Mei, is the protagonist, and other students are hiding behind the curtain and dubbing with ventriloquism, criticizing Wang Jingxuan’s feudal and traditional thoughts.

The name of this play is called.Letter of reply to Wang Jingxuan, it is for Liu Bannong and Qian Xuantong and others in the "new youth" in the form of articles, you come and go to the stage performance of the public opinion war.

Qian Xuantong fictionalized the identity of "Wang Jingxuan", criticized the various crimes of the "New Culture Movement" in "New Youth", and branded the people who promoted new culture and new ideas with a hat of forgetting their ancestors, just like the stubborn position of a group of old scholars.

Fu Wang Jing Xuan Shu

butLiu Bannong, on the other hand, made an ancient "hype" with Qian Xuantong based on New Youth, and wrote a book "Reply to Wang Jingxuan" to refute all the critical contents of "Wang Jingxuan" one by one, attracting the attention and discussion of readers and public opinion.

Because of the ample arguments and sharp writing, the effect of the play is surprisingly good, and it also attracts more scholars and students to participate in the new culture movement, transform old ideas and give up old dross.

During the ten years of subversion in the Qing Dynasty, especially since the founding of New Youth in 1915, the degree of openness and enterprising spirit of Chinese people have never been higher. Improvement and innovation were the themes of the times, and those who supported the New Culture Movement were all concentrating on exploring how to draw a clear line between social reality and the decadent face of the past.

With the rise of vernacular Chinese and the introduction of foreign literary works, there are a large number of third persons in popular language expressions, and it is difficult to clearly distinguish the differences and specific directions in the text by using only one word "he".

Liu Bannong, as an accomplished person in language and literature, deeply felt the differences and abuses in the translation of different personal pronouns in Chinese and foreign literary works.The third person pronouns in English can be divided into "he", "she" and "it", which refer to male, female and gender-neutral objects in person respectively.

However, in the consistent usage of Chinese, only one word "he" refers to all the third persons, and there is no pronoun difference between men and women and things.If you want to distinguish it, you should add a note after the word "he". For example, when referring to a woman in the third person, that is, "he (female)" is used, and when referring to asexual objects or animals, "he (object)" is used as a distinction.

Translation of foreign literary works is long and complicated, and it is necessary to distinguish the gender and attributes referred to by "he", which undoubtedly increases the difficulty and workload, and does not conform to the theme of "vernacular, simplicity" advocated by them.

thereforeIn his early literary works, Lu Xun borrowed the word "Yi" from "Yi people" to refer to women, but it was not widely used and was not accepted by the whole people.

Lu Xun

In 1917, Liu Bannong first put forward the structure of the word "she", which was an accurate translation of "she" in English and distinguished it from "he". Lu Xun’s younger brother, Zhou Zuoren, agreed with this very much. He mentioned in the New Youth published on August 5, 1918: "China’s third person pronoun has no sexual distinction, which is very inconvenient. Semi-peasants created the word’ she’ and’ he’ for both purposes.. "

According to Liu Bannong’s understanding,Women’s third-person pronouns should have their own names as in foreign languages, which is not only convenient to use, but also more aesthetic. And with the opening of thought and the promotion of women’s status, the translation of "he (female)" is still used, as if women were still regarded as accessories of men, full of the flavor of the old society..

The word "she" was first popularized in the classrooms of Peking University and newspaper articles published by Liu Bannong, and many people accepted it, which also made a group of conservative people see Liu Bannong’s innovation, thinking that it was a rebellion against traditional customs and culture and should be refuted and suppressed.

Liu Bannong

Shanghai’s "Newcomer" magazine also published an ice-cold article.This is Liu Bannong’s fault.The article holds that there is no gender difference between "I" and "Ru" in ancient Chinese, and "He" and "She" are not as different in pronunciation in Chinese as in English, which is an act of gilding the lily.

All kinds of remarks emerged in an endless stream. The old and new forces United to express their opposition to Liu Bannong’s word-making, and scholars used the biggest public opinion at that time-newspapers and editorials to attack Liu Bannong. Especially some people who have no insight but are easily provoked, so that except for a few women with independent thoughts, all the women in China who are bound by conservative thoughts are scolding Liu Bannong. However, it is not clear how many of them sincerely oppose it and how many fish in troubled waters stir up trouble.

she

In short, within three years after her invention, Liu Bannong suffered a comprehensive blow from public opinion, which triggered another round of war of words between old and new literature.As far as Liu Bannong himself is concerned, as soon as he goes out, it is easy to encounter newspaper interviews and students’ attacks, which makes him afraid to go out on the street openly for three years for fear of being caught and scolded.

Therefore, Liu Bannong specially wrote an article "The Question of" She "during her study abroad and sent it back to China for publication, explaining her original intention of creating the word" She ".In order to express the meaning more clearly, it is also to distinguish the personal names of women and men.. After the article, Liu Bannong also proposed to recreate a representative of the word "it".

In 1925, Liu Bannong completed the French version of "Experimental Record of Chinese Phonetic Characters" and won the "Constanyine Linguistics Award", which was the first linguist in China to win this international award. At the same time, Liu Bannong successfully graduated from experimental phonetics in France, and obtained a doctorate in French national literature. He is still the first person from China to be awarded the highest academic title by the state.

Liu Bannong phonetic experiment photo

On the way home, Liu Bannong thought of his wife sacrificing herself to take care of the family on the ship, and always supported her studies and career without regrets, and wrote a vernacular new poem with the word "she" emotionally.Teach me how not to think about her：

There are some clouds floating in the sky and some breezes blowing on the ground.

Ah! The breeze blew my hair and taught me how to miss her.
Moonlight is in love with the ocean, and the ocean is in love with moonlight.

Ah! How can I miss her on such a honey-like silver night?
Flowers fall on the surface of the water and flow slowly, while fish swim slowly at the bottom.

Ah! Swallow, what did you say? Teach me how to miss her.
Dead trees are shaking in the cold wind. Wildfire burned in the twilight.

Ah! There are still some afterglow in the Western Heaven. Teach me how to miss her.

A month later, he returned to teach at Peking University and became the founder of experimental phonetics in China.Liu Bannong’s achievements soon made him famous in China, and this poem used to praise his wife was also arranged into a song, which spread all over the country with the word "she". Some die-hard conservatives insist on resisting the word "she", which has been unable to stop her from moving forward.

At this time, people generally accepted the existence of the word "she", and history also accepted Liu Bannong’s choice. In 1932, the Ministry of Education included the word "she" in the common words, which set the tone for this debate from the official level, and also had the distinction of "he", "she" and "it" that we have become accustomed to.

Lu Xun also expressed negative views on Liu Bannong’s pioneering work of creating characters.However, in the later "Recalling Liu Bannong", he obviously had a deep understanding of Liu Bannong’s original "rebellious" behavior: "Just advocating new punctuation, there will be a large group of people who are "bereaved" and eager to "eat meat and sleep", so it is indeed a "big battle"."

Later, someone created the word "you" to distinguish it from "you" on the basis of Liu Bannong, which was all the rage for a while, but it was not accepted by the public in the end and became a short-lived second person pronoun in that era.

Liu Bannong

In fact, the word "she" was not created by Liu Bannong, which is ancient Chinese.Ji Yun Shang Sheng Ma YunIn the middle ""She" and "Sister Min" are tied., allPronounced as "jiě", refers to the meaning of "elder sister". Liu Bannong didn’t notice this uncommon word or intentionally used it as another meaning of modern Chinese. People have long been accustomed to the word "she".

When people are in different historical stages and development stages, they will make different behaviors or actions because of the ideological environment at that time, but put it in the long river of the whole history or the development of human culture, the temporary resistance of human beings is just dust, which is invisible in front of the grand narrative.

The same is true of the reform of Chinese characters. The curse that once kept Liu Bannong from going to the streets for three years has long since disappeared, but the wealth of Chinese characters, language, punctuation, phonetic symbols and so on that he left to the people of China in just 44 years’ life will last forever.

# Music Sharing

The second Top Ten Chinese Golden Melody Awards Concert was held in Hung Hom Gymnasium, Hong Kong on January 28th, 1984, sponsored by Radio Television Hong Kong.

1. "Walking the Life Road"-Teresa Teng: This is a classic Chinese pop song, written by Zheng Guojiang, composed by Miyuki Nakajima and sung by Teresa Teng.

2. "Red Doubt"-Anita Mui: This song is the theme song of the Japanese TV series "Red Doubt", written by Zheng Guojiang, composed by SHUNICHI TOKURA and sung by Anita Mui.

3. "I just like you"-Danny Chan: This is one of Danny Chan’s representative works, written by Zheng Guojiang and composed and sung by Danny Chan.

4. Love in Late Autumn-Alan Tam: This song was written by Lin Mincong, composed by Li Haojun and sung by Alan Tam.

5. Time flies-Anita Mui: This is a classic Cantonese song, written by Zheng Guojiang, composed by Kitaro and sung by Anita Mui.

Adam Cheng: This song was written by James J.S.Wong, composed by Gu Jiahui and sung by Adam Cheng.

7. "Xiao Li Fei Dao"-Bowen: This is a classic martial arts song, written by Lu Guozhan and composed by Gu Jiahui.

8. The Root of Love-Alan Tam: This song was written by Lin Mincong, composed by Chen Feili and sung by Alan Tam.

9. Teana-Guan Zhengjie: This is a classic Cantonese song, written by Lu Guozhan, composed by Lu Guanting and sung by Guan Zhengjie.

10. "Fishing boats sing late"-Guan Zhengjie: This song was written by Lu Guozhan, composed by Li Xiaotian and sung by Guan Zhengjie.

The selection of the top ten Chinese golden songs shows the prosperity and development of the Hong Kong music scene in 1983. These award-winning songs have also become classic Chinese pop songs, which are still deeply loved and sung by the audience.

Looking back on what they wore in the last century, we know that fashion is a reincarnation, and their clothes are all too foreign and beautiful.

Most people know that fashion is a circle, but it only ends on the surface. For the public, we can only deeply understand this sentence by seeing those fashionable clothes of the last century, and we can also find that many clothes of the last century are really fashionable and are not out of date now.

In this issue, we will review the clothes worn in the last century. After reading it, we will know that fashion is a reincarnation, and their clothes are too foreign and fashionable. Let’s take a look!

Compared with the present, many items in the last century are too unique. Whether it is a suit with irregular design, a silhouette coat, a shoulder pad suit, a leather coat, or bell bottoms, all of them reflect the unique aesthetics and taste of fashion icon in the last century.

Small suits with irregular waist design are the first choice for hipsters’ concave modeling, which not only closely follows the waist line and wears a small waistline, but also further weakens the width by using the height difference to hold the temperament model in minutes.

Going out of the street is like a catwalk. In 2023, it is also a very exotic fairy single product. Who would have thought that it would have appeared in the closets of beautiful women in the last century?

Fashion is developing, but classics are hard to go out of date. No matter how many times you watch it, it will still be beautiful by big-profile suits and coats.

This kind of silhouette suits and coats are designed with shoulder pads, and the shoulders are wide, so they are casual and chic, and they are not petty at all. Presumably, this is why silhouette suits and coats are still very popular today.

Fashion items are updated quickly, and people can’t go out when they buy a dress for two winters. Who would have thought that the long coats and leather coats with waists in the wardrobes of those beautiful women in the last century would be elegant and elegant to wear out now?

Look at the beautiful women above. The long coat with narrow top and wide bottom not only shows a small waist, but also adjusts the proportion of the body. It is also a fairy single product that releases the temperament.

Retro style is popular in fashion circles, which also proves that classics are difficult to be eliminated. In fact, if you look closely, you can find that wearing in the last century is yyds.

Not only do these fashionistas choose some unique tailoring and designs to show their fashion temperament, but also because they rarely follow the trend, dressing and dressing are not blindly imitated, and everyone adds their own thinking to their clothes. This is the real fashion.

Moreover, many retro clothes seem to be old and too far away from us, but in fact, many retro clothes are really bold, distinctive and sexy. All kinds of low-cut clothes can’t be worn out at the moment. Back in those days, it was very common.

The use of color in retro style is also bold and clear, far from the idea of color matching with clear soup and little water, and many shapes are added by color matching.

Retro red with distinctive foreign flavor and low profile, or warm and fashionable yellow and orange, or retro green and purple, these colors have a high appearance rate in the last century.

Retro wear that is also very foreign in the moment is of great reference value to the public. Let’s take a look!

1. Blue jeans

Jeans are not only popular in the last century, but also the strength of contracting the winter fashion in 2023. Who hasn’t had a few pairs of jeans in the closet?

Look at those hipsters in the 1980s and 1990s. At that time, I knew that jeans or straight style were the most attractive and neat. With short suits, they were charming without losing style.

2, plaid items

Fashion is a circle, and plaid, the representative element of retro wear, is equally classic, but plaid coats and wide-leg pants are surely not lacking in many Jimei wardrobes.

From the 1980s and 1990s to 2023, plaid coats and trousers are well-deserved temperament items, which are retro and fashionable without losing the British flavor.

3, overlapping modeling

I don’t think that overlapping wear is a dressing skill that is only popular now. Look at wearing in the last century. Overlapping wear has long been the specialty of these fashion icon.

Choose straight-line suits and coats to wear knitted cardigans, the materials are in contrast, and with neutral wind color matching or retro wine red color system, it is difficult to think of temperament.

4, below the knee skirt+leggings

Knee-length long skirts are particularly popular with fashionistas in the 1980s and 1990s. With leggings and grandma’s shoes, they are not only elegant and decent, but also particularly feminine. In 20 years, you will not be as good as them in dressing up.

Conclusion: Fashion is a reincarnation. We can understand this more clearly when we see the clothes worn in the last century. In 2023, we can still learn from these retro clothes and win elegance and high quality!

This article was originally created by Tiger Brother, and the pictures are all from the Internet. If there is any infringement, please contact to delete it. If you need to reprint it, please indicate the source, and plagiarism will be investigated! # Winter Life Punch Season #

What is culture？ A good article that never tires of reading.

Reading a lot of books, having a lot of knowledge, having a high degree of education … is completely different from having a culture.

My favorite answer about what culture is is a four-sentence summary by writer Liang Xiaosheng:

Cultivation rooted in the heart,

Consciousness without reminding,

Freedom based on constraints,

Kindness for others.

01

A flight attendant named Judy told an interesting story about Liu Shishi at the Weibo.

Judy often meets all kinds of big coffee and stars because she is a flight attendant and serves on the plane.

But none of these big coffees and starsgive herMake a deep impression.

Until a few days ago, she met Liu Shishi.

that dayLiu Shishi flew first class.

When Judy went to tidy up the first class after the plane landed, she was surprised to find that the quilt on Liu Shishi’s seat was neatly folded.

Judy was shocked at once: "In the past, all the first-class guests huddled their quilts and left under their feet. I didn’t expect the poems to be neatly stacked. I was so touched."

People who fly in first class are usually people of great status, but you see, there are so few people who fold quilts. Occasionally, a flight attendant will be moved for a long time.

02

On May Day, I met a wandering singer when I was shopping with my mother.

After listening to a song, I went over and threw five yuan change into the hat.

But then, my mother’s behavior surprised me.

She went to the hat, crouched down slowly, gently put two coins in the hat, and nodded to the wandering singer with a smile.

My mother didn’t read much. But this moment: I really lost her too much.

Comparing these things, I think of a sentence from Bai Yansong:

"Whether a person has a culture is not based on how high his education is. People with academic qualifications do not necessarily have culture, while those without academic qualifications do not necessarily have no culture. "

Reading a lot of books, having a high diploma, and having education are sometimes completely different.

03

Wu Xiao Xian told another touching story.

Once, he followed the boss to talk about business, and at lunch, he ordered a table in the hotel.

Halfway through the meal, the waiter served a special dish, and the boss said politely, "Thank you, we don’t need any more dishes."

The waiter explained, "This dish is free."

The boss still smiled and replied: "We don’t want it for free, we can’t eat it, it’s a waste."

After the meal, the boss wrapped the leftovers.

On the way back to the company, the boss drove slowly, as if looking at something.

Wu Xiao Xian was wondering when the boss stopped the car, picked up the packaged food, got off the bus and walked over to a beggar, and handed it over with his hands.

What is culture? This is culture. Culture is self-cultivation rooted in the heart.

04

I read another story in People’s Daily.

On the weekend, my nephew followed a Chinese to go fishing in Sydney, Australia.

Every time you cast a net, you always get something.

But every time the net is pulled up, the Chinese always pick it up and throw most of its shrimps and crabs back into the sea.

His nephew was puzzled: "I finally hit it, why throw it back?"

The Chinese replied: "Only fish and shrimp that meet the specified size can be caught."

His nephew said, "No one can care about you on the high seas?"

The Chinese smiled faintly: "Not everything needs to be reminded and urged by others!"

What is culture? This is culture. Culture is consciousness without reminding.

05

What is freedom?

Many people’s understanding is that freedom is to let yourself do what you want freely. But people who think like this don’t know what real freedom is.

Linda, a Chinese-American writer, wrote a book "Worry in the Deep History", which presents the fact that the United States is not only the freest country in the world, but also the least free country in the world.

On one occasion, he accompanied his friends from China to visit the Grand Canyon of the United States.

My friend picked up the coke can and wanted to throw it into the Grand Canyon: "What a pity not to do something in such a deep canyon!" "

LindaStartled, he quickly stopped: "This is illegal."

The freest America in the world is actually full of illiberality:

It is illegal to hold an open wine bottle in the street;It is illegal for parents to slap their children when they cry.It is illegal to even talk about pornographic jokes in the office;……

Many people in China don’t understand why the United States has so many restrictions. In fact, it is precisely because of so many constraints that American freedom has been created.

The philosopher Mill said: "Constraints are the mother of freedom. Personal freedom must be based on not infringing on the freedom of others. "

What is culture? This is culture. Culture is freedom based on constraints.

06

There was a man who taught his disciples to break glass products and put them into garbage bags, and wrote on them with a pen: "There are glass fragments inside, it’s dangerous!" "

In this way, garbage collectors won’t scratch their fingers.

The mineral water bottles after drinking drinks are also emptied and tightened, which is convenient for waste recyclers to collect.

You ask me what is culture? This is culture. Culture is kindness for others.

When going to the toilet, think of the next person who goes to the toilet;When throwing garbage, think of the next garbage collector;No matter what you do, you must think of the next person;……

07

Xia Yan, a dramatist, was in great pain before he died.

The secretary said, "I’ll call the doctor."

Just as he was about to open the door, Xia Yan opened his eyes and said with difficulty, "Not calling, please."

Then he passed out and never woke up.

"Not called, please." Xia Lao changed a word, but touched a building.

Do you know how Liang Qichao died?

He died in a medical accident at Union Medical College Hospital: the doctor cut the left kidney that should have been removed into the right kidney.

Before he died, Liang Qichao did not curse the doctor, but told his family:

"Don’t tell the media, don’t publish. The people have just begun to believe in western medicine. If they know about me, they will inevitably retreat. "

Xia Lao Liang Lao is the truly literate person.

A true cultural person should have four qualities:

Cultivation rooted in the heart;

Consciousness without reminding;

Freedom based on constraints;

Kindness for others.

Think about how often we can have conscious introspection without being reminded by others, and we can think of and help others as much as possible.

Speaking of this, we have to say: "culture is the foundation of the country."

Hero, after reading the article, tell us something.

Source: Dialogue boss, People’s Daily copyright belongs to the original author.

Editor: Li Yahe

Cultural return： the deep logic of the butterfly change and leap of traditional cultural programs

Author: Li Zhi

In recent years, a number of traditional cultural programs have been popular on the screen, which has aroused enthusiastic response from the audience, media and society, and has become a highly regarded cultural trend phenomenon. From Chinese Character Dictation Conference, Chinese Poetry Conference and Reader, to National Treasures, Classical Poems, China in Stories, China in Classics and China Festival Series, it can be said that traditional cultural programs mark the development trend of industry culture turn for us, and they are "speaking well" in the new era.

Henan Satellite TV’s "Wonderful Tour of Tanabata in 2023" dreams of returning to the Red Chamber, showing romance.

The scene telling the story of Sanxingdui in the third season of National Treasure.

New national style: a distinctive feature as a trend phenomenon

Despite the different themes and forms, the new national style is the most distinctive style label of these excellent traditional cultural programs. The new national style, that is, the emerging China style, is manifested in the popular fashion that generally uses traditional cultural elements in popular culture. On the basis of spreading Chinese excellent traditional culture, traditional cultural programs explore the greatest common denominator with youth culture, network culture and other cultures of the times, and become a popular program type with the new national characteristics of integrating the old and the new and aesthetic mutual learning.

In fact, looking back at the development history of TV programs in China, as early as the 1960s, Beijing TV Station had launched cultural programs such as Cultural Life and Life Knowledge. In the 1980s and 1990s, traditional cultural programs with distinctive features emerged, such as "Bookstore Painting Garden" and "Kyushu Theater". However, although traditional cultural programs have always been an important part of the TV program sequence in China, they have long been caught in an embarrassing situation of applauding and not being a hit. Especially in the wave of TV industrialization, faced with the arduous journey of viewing, traditional cultural programs have always been difficult to become realistic choices and symbolic programs that TV stations are keen on.

Fortunately, in the past ten years, traditional cultural programs have gradually explored a new national style innovation road of "entertaining" and become popular in the whole network with a gesture of "cultural return".

Looking at the present through the long lens of history, the valuable question is how traditional cultural programs change and jump. What is more worth asking is, why is it that traditional cultural programs continue to "break the circle" to form a trend phenomenon of the times?

The method of "double creation": the leap of butterfly as an artistic creation

Since the policy of "promoting the creative transformation and innovative development of Chinese excellent traditional culture" was put forward, the artistic creation of traditional cultural programs has a fundamental methodology, that is, adhering to the integration orientation of "thought+art+technology", refining Chinese excellent traditional culture in a flexible and diverse way, and achieving a deep image description of "cultural China".

5,000 years of Chinese traditional culture is extensive and profound. Traditional cultural programs regard it as a treasure house of creative inspiration, and select representative cultural symbols to describe it. This kind of "metonymy" strategy can be seen only from the program name: China in Classics, which tells the story of selecting classics, Chinese Poetry Conference, which relives the beauty of Chinese poetry, and China, which shows the extraordinary skills of intangible heritage. With the continuous excavation of Chinese excellent traditional culture, the theme of this kind of programs has been subdivided from the popularization of general knowledge such as poetry quiz, idiom quiz and Chinese character contest to the interpretation of professional contents such as cultural relics and archaeology, intangible techniques, piano, chess, calligraphy and painting, which highlights the vertical thinking of program creation.

With the help of this kind of program, the audience stepped into the historical Milky Way, which is separated but in the same strain, and picked up brilliant cultural treasures. Traditional cultural programs deeply rooted in different fields appeared one after another, and a polyphonic "cultural suite" was compiled.

When the Internet platform becomes the infrastructure of the digital age, "brush" has become a common way of life, and attention has become the object of competition for programs. Based on the audio-visual communication ecology with diverse supply channels and overloaded information content, traditional cultural programs do not stick to the existing model, but follow the platform thinking and innovate the program model with light program duration, modular program units and strong narrative program content. Take a series of out-of-the-circle parties of Henan Satellite TV as an example: "Wonderful Tour of the Dragon Boat Festival" takes the astrological meaning of "Long Xing Zhongzheng" in the Dragon Boat Festival as the theme, and invites the "Mahua FunAge" team to join in the dragon boat race, and the dramatic chapter story of fighting for tokens is connected in series with modules such as Feng Wang Caige, Flying Dragons in the Sky and wormwood Qingqing, so as to show the traditional customs of the Dragon Boat Festival, and the duration is controlled within one hour. The relatively independent and distinctive special programs are very suitable for the communication logic of the Internet platform. The classic is The Banquet at the Tang Palace, which can trigger a hot discussion on the whole network. It is precisely because of its short, pithy and eye-catching features that it grabs the audience’s attention with colorful clips on the Internet platform, and then it plays a role of diverting from short to long, improving the popularity of the whole series of programs.

In addition, the new model increasingly pursues that a single work can produce the climax effect of visual wonders and soul shock, and puts forward higher requirements for the quality of the program. Based on digital technology, traditional cultural programs form an ultra-real virtual-real space and construct a dynamic perception field of "audience-work-artistic conception", which not only makes traditional cultural elements come to the fore, but also moistens the Chinese aesthetic spirit. For example, "Poetry and Painting China" refines the scenery into a single element and draws it in layers in the presentation of "Journey to the West Mountain", and strives to retain the natural Chinese painting texture in the special effect reorganization of later modeling. During the lens push and pull, the mountains with high peaks and steep peaks echo each other with the waterfalls flowing with silver lines, outlining the magnificent mountains and rivers with long mountains and thousands of images, so that viewers can truly feel the character of the ancients "the mountains stand on their backs and the scenery stops" Another example is the interpretation of "Imitating Yang Dazhang’s Painting of Jinling in Song Courtyard", in which the program gives the picture a 3D animation effect of ink and wash. In the painting, when people wander from the countryside to the city, the audience seems to have crossed back to the prosperous Jinling, where "the king is full of gold and beautiful", and feel the beautiful painting meaning of "people are happy in the rich years, and they walk on the streets in Gansu".

The visual presentation from the real to the virtual makes poetry and painting break through the limitations of physical laws and live in the way of reappearance of image wonders. The surreal artistic spirit not only extends the imagination boundary of the audience through the visual impact, but also brings the immersive experience by capturing the details that must be present, thus realizing the virtual reality of traditional classical aesthetics in the audience’s psychological level in the spiritual immersion that is also true and illusory.

Subjectivity and Identity: Deep Logic as Cultural Practice

An era has an era of literature and art. The reason why traditional cultural programs can stand out from numerous literary and artistic creations and form a phenomenon of "cultural program fever" that lasts for several years is not only because of the renewal of creative ideas and the improvement of production ability within such programs, but also because program production is a typical cultural practice with reflective experience that germinates in social culture and will respond to it interactively.

In other words, artistic production is deeply connected and mapped with the collective mentality and common emotion of the times, and the common emotion of each era will also give birth to the cultural trend belonging to that era.

Then, in order to further clarify the deep logic of the popularity of traditional cultural programs, it is necessary to base on the vivid experience of the times and explore the active and tense potential text structure of programs that are outside the text structure and coupled with the current collective emotional psychology.

Facing the globalization context of comparison and communication between Chinese and Western civilizations, the great rejuvenation of the Chinese nation cannot be separated from the realization of Chinese modernization. However, in the world discourse system about modernization, "western modernity" once monopolized the definition of modernization, and western modernization was even directly equated with the only model. Therefore, only by reflecting on the western paradigm, establishing China’s legal expression and establishing his subjective position in the global pattern can we endow "China modernity" with Chinese modernization and realize the reinterpretation and rewriting of the discourse system of "modernity". In this process, both the country and the people are experiencing the thinking of "what is China", and the questioning of "who am I" reflects the collective mentality and common emotional demands of contemporary China society eager to consolidate cultural subjectivity and condense identity. Excellent traditional culture is the "root" and "soul" of the Chinese nation, and it is an important way to distinguish "the other" from "self" and gain subjectivity and identity.

Indeed, the top-down policies at the national level, such as "inheriting and carrying forward the Chinese aesthetic spirit" and "telling the story of China well", and the bottom-up cultural consumption at the public level, such as the craze for Chinese studies and Hanfu, all indicate the effectiveness of answering "China" with Chinese excellent traditional culture.

Returning to traditional cultural programs, whether the theme is to pay attention to festival culture, to focus on the art of poetry and painting, or to focus on historical archaeology, is a useful exploration of the policy of "double innovation", and the underlying logic it follows cannot be separated from "two combinations". The media performance of "Cultural China" gives the audience great imagination. In the auspicious film feather with traces of civilization, the cultural relics restorer makes the old things new and shows the distant and gorgeous history to future generations. In the endless stretch of Tang poetry and Song poetry, countless stars shine in it, writing the most vivid footnote for "Why China"; In the intangible skills that bear the context of a thousand years, the inheritors have persisted for decades to realize the identity of the nation as a nation … On the one hand, these traditional cultural programs have stirred up the national cultural genes in the same strain by excavating and presenting the cultural memories behind cultural symbols, greatly satisfying the imagination needs of the audience to gain a sense of historical relevance from the long-standing Chinese civilization, and effectively enhancing the national self-esteem and cultural self-confidence of the audience. On the other hand, following the principle of "keeping the right and not being old-fashioned, respecting the past and not restoring the past", we should reconstruct Chinese excellent traditional culture in the times, and integrate the spiritual concepts attached to traditional excellent culture, such as the unity of family and country, the common good of the world and the coexistence of all things, with the core values of contemporary socialism, so as to consolidate the cultural subjectivity in the deep echo of China in the past, China in the present and China in the future.

It is true that traditional cultural programs are highly in line with the common feelings of the times, and with the unparalleled communication power of audio-visual media, they produce and spread the cultural power that condenses collective sensibility, which is the deep motivation to harvest the emotional resonance of the audience and generate a huge emotional community. However, it still needs to be emphasized that the audience’s aesthetic needs and appreciation ability continue to grow and improve. In specific creation, traditional cultural programs still need to stimulate imagination and creativity, be innovative in content, form and other aspects, and fully demonstrate the essence and charm of Chinese excellent traditional culture to meet the audience’s aesthetic expectations, so as to avoid homogenization and stand on the forefront of the highly competitive mass cultural products track.

(The author is a doctoral student at Shanghai Film Academy of Shanghai University)

Source: Wen Wei Po

Table Tennis World Cup Day 1： Table Tennis Boom 8

On the evening of December 4th, Beijing time, the Chengdu Table Tennis Team World Cup ended its first match day. At present, the China team only played once, and swept Sweden, a European powerhouse, with an 8-0 victory. Although it also encountered some shocks, on the whole, it still grasped the initiative on the field and won easily.

In terms of foreign associations, strong teams such as Japan and South Korea maintained a total victory, but only the United States blew out 8-0, and the other teams failed to achieve zero opponents. In addition, the China-Hong Kong team lost to Puerto Rico 7-8, which broke the first upset of this competition, which surprised fans and friends. Please see below for the detailed situation.

China is the undisputed strongest team in Group A. As mentioned earlier, we scored 8-0 in the first game, among which Lin Gaoyuan/Manyu Wang beat Carlson/C Carlberg 3-0, Sun Yingsha beat Berg Sterlon 3-0, and Wang Chuqin beat A Carlberg 2-0. However, Sun Yingsha played a little hard in that game, and her opponent really fought hard.

As mentioned earlier, the China-Hong Kong team with good strength lost to Puerto Rico in America, among which Puerto Rican star A Diaz played a brave role, the women’s singles swept Du Kaiyu 3-0, the women’s doubles beat Du Kaiyu/Zhu Chengzhu 2-1 with her sister M Diaz, and Gonzalez/Afan Nador also won Huang Zhen Ting/Lin Zhaoheng 2-1.

The competition in this group is fierce. Although the German team is the second seed, the five core players, Bohr, Ochalov, Qiu Dang, Francesca and Han Ying, did not participate this time, and their overall strength plummeted. However, as the saying goes, "the skinny camel is bigger than the horse", they finally won Egypt 8-3 and were not upset.

As for the Slovakian players’ performance, they beat the European champion team Portugal 8-5 with a total score, but there was some luck, because the latter was not an all-star team. Without the core players Freitas and Apollonia, they failed to play the strongest level of their team: no way, too many masters didn’t come to this competition!

The Japanese team, the arch-rival of table tennis, has a big advantage in Group C. After all, their men’s and women’s teams and singles and doubles have strong strength. However, Hayata Hina’s state this time is average, and she lost one game in both games, but she finally won, and the whole team also won 8-2 over Romania and 8-1 over Australia.

In the case of Japan’s dominance, France is the only team in Group B that has the ability to attack them. In this competition, it won Australia 8-3 first, and then the United States 8-5, while the United States bombarded Australia 8-0, but lost to Romania 5-8. At present, France is expected to protect two and rush one, Romania and the United States may get the second place, and Australia has no hope of qualifying.

South Korea played in Group D, although it didn’t lose, but it was not easy to win. In the first game, it beat Singapore 8-3, and Canada 8-2 in World War II. Their athletes didn’t seem to be fully in the state. In addition, some people didn’t seem to adapt to the new 15-game 8-win system. After leading 2-0, they habitually relaxed and didn’t win the third game.

However, the strength of the other teams in Group D is average. Without Lin Yunru, Chuan Chih Yuan and Zheng Yijing, the China Taipei team beat Canadian 8-3 and Indian 8-4, and its performance was average. Canada won India 8-5, while India narrowly beat Singapore 8-7. Singapore has not won yet, so the possibility of qualifying is not great. Let’s wait for the group match to end the next day and the list of the top eight will be born!

The cooperative survival game ＂Nightingale＂ jumped again and launched a preemptive experience in the fall of 2023.

The cooperative survival game "Nightingale" announced the jump ticket again. In the latest developer video, the developer Inflexion Games announced that the pre-emptive experience version of the game was postponed until the fall of 2023. At present, the game test is underway, and the extra development time will make the game make more good progress.

The Nightingale was first announced in 2021. It was originally scheduled to be released in 2022. In the whole year, the developer Inflexion Games announced that the game would be skipped until the first half of 2023, and the development engine was also transferred to unreal engine 5.

Swimming never becomes proficient. Six pictures convince yourself that you can swim.

Figure 1 moves:

If you are under 6 months old, you can try it after reading the first one.

At this time, you have a skill called "swimming reflex". Put you on your stomach in the water, and when you are immersed in the water, you will paddle your limbs and subconsciously hold your breath, so your body will gain more buoyancy; You will stick to floating for a while, which is conducive to the rescue.

When you get older, the swimming reflex disappears, but it is an indicator of the normal development of the nervous system.

Figure 2 moves:

You will automatically hold your breath because there is a special valve in your throat at 6 months old. Now, you are sexually mature, and somehow you can’t always learn to hold your breath. When you get into the water, you will be so nervous that you will gulp water. If you just don’t mind the beauty of swimming and are in a hurry, I suggest you practice the dog-planing stroke immediately.

Hold your head high, lift your head to the position where your nose and mouth can be exposed to the water, and press the water alternately with your limbs to maintain a sense of rhythm. You can try some rhythms of stepping on some songs you like, so that people standing on the shore look ugly but at least have a good rhythm.

Figure 3 moves:

If you sincerely want to learn swimming, breaststroke! Stable posture, relaxed and lasting strength, and very high practical value.

Draw your arms to your chest and hold the water underwater, support your upper body rhythmically for rapid ventilation, and kick your legs backwards in imitation of frog posture. The details of your legs are as follows: 1. Separate to both sides. Step 2 straighten. 3. Then pinch the water inward.

Figure 4 moves:

But whether you watch sports news or idol drama, if you want to be cool and crazy, you should forget all the above three pictures. Freestyle is really worth learning. Compared with butterfly swimming, it is grandiose and ungrounded. It is low-key and luxurious, which allows you to bring your own aura and help you become a dazzling white strip in the swimming pool.

The body is prone on the water surface and streamlined. During the exercise, the head is kept stable, and the trunk rotates rhythmically around the longitudinal axis of the body for about 40 degrees, and the head is ventilated at this angle.

The action of kicking is basically to maintain the balance of the body, not the core power.

The main driving force of freestyle is in hand.

Then. . .

speed up

From these practical skills, you should have become an excellent swimmer now, and then you can show your swimming skills confidently!